Distance Conditions is a series built around the impossibility of fully accessing the other. Set between interior and exterior spaces, the images place the viewer in a position of distance: always close enough to observe, never close enough to understand.

Whether inside a room or standing outside in open landscapes, the figures remain isolated, suspended within their own psychological space. The scenes are revealed fragmentarily, often through thresholds, windows, corridors, or obstructed perspectives. A figure performs a minimal, almost ordinary action, yet something within the image resists clarity. A gesture, a posture, a subtle disconnection from the surrounding world introduces a tension that is difficult to name.

The photographs evoke the cinematic stillness of genre painting and staged cinema through their use of light, color, and carefully constructed space. Yet this apparent familiarity is continuously unsettled. Interior and exterior no longer function as opposites: both become spaces of estrangement, where intimacy and distance coexist.

Like a system of incomplete clues, each image functions as an open narrative fragment. The viewer is invited to project meaning onto scenes that refuse resolution, reconstructing possible stories through intuition, memory, and emotional association. In this process, the identity of the figures never becomes fixed. It shifts, fragments, and remains fundamentally unstable.

Distance Conditions proposes a reflection on identity as something always partially inaccessible—shaped by absence, projection, and the limits of perception. We never fully enter the space of the other, whether they stand behind a door or alone beneath an open sky. And yet, within this distance, we persist in inventing narratives in order to approach them—and perhaps to approach ourselves.